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Chapter 2: Law, Legislation, and Seeing the Unseen
Chapter 4: The Jewish Theory of Knoweldge
Chapter 5: Freedom, Holiness, and the Ends of Society
It is common today to hear those who are hostile to traditional religion accuse the pious of unwarranted certainty about the truths of the universe. Yet, in the Jewish tradition, one finds something else altogether. Jewish texts often tell the stories of men and women who strive for knowledge, divine and human, amidst a great deal of uncertainty. From Moses—who could not see the face of God—to Job—who was rebuked by the Lord for presuming to know too much—even the biblical figures who have the most intimate relationships with God demonstrate the limits of human knowledge.
The notion that some measure of ignorance is intrinsic to the human condition has been shared by many thinkers throughout history. In the 20th century, there was perhaps no better articulator of the idea than Friedrich Hayek, the Austrian economist and social theorist. He wrote frequently about the limits of what any one individual can know and criticized those economists and technocrats who exhibited what he derisively called “the pretence of knowledge.” For Hayek, true knowledge is dispersed and built up over many years and embodied in price signals, social customs, and traditions that have stood the test of time.
Hayek wrote and thought in the context of the social sciences, but do his insights about knowledge and ignorance point to understandings shared by the Jewish tradition? In this podcast, Tikvah Senior Director Jonathan Silver is joined by economist Russ Roberts to tackle this question. Roberts, host of the popular EconTalk podcast, is himself an observant Jew, and he helps us think through what Hayek’s epistemology has in common with the Jewish tradition as well as how they differ. As he does so, we will see how ancient Jewish philosophy and modern social thought can help bring each other into clearer focus.
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as “Baruch Habah,” performed by the choir of Congregation Shearith Israel.
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