Liel Leibovitz on What the Protests in Israel Mean

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For a while after October 7, the war produced an atmosphere of national solidarity in Israel, quieting some of the tensions that had divided Israelis from one another with a special intensity throughout the previous year. That quiet now seems to be ending.

There was always bound to be a tension between two of the Israeli government’s primary war aims: that of rescuing the hostages, and that of defeating Hamas until total victory. The government insists that it is pursuing both of these aims, but many Israelis don’t believe it. Many of them are persuaded that Prime Minister Netanyahu is prolonging the war and foregoing opportunities to secure the hostages’ freedom because the war keeps his political coalition together and that keeps him in power. Tens of thousands of Israelis, mapping more or less onto the tens of thousands of judicial-reform opponents seen last year, are now in the streets protesting.

Then when, last weekend, the bodies of six more murdered hostages were retrieved from Rafah, the anger overflowed its bounds and spilled out onto the streets. In the protestors’ view, it was Netanyahu who could have prevented these horrible deaths. Netanyahu could have gone along with Hamas’s cease-fire terms. Netanyahu could have patriotically apologized and resigned.

Liel Leibovitz, the editor-at-large of Tablet, thinks otherwise. Jonathan Silver speaks this week with Leibovitz about a recent essay analyzing the roots and effects of the protests themselves, “‘Bring them Home’ Is Bringing Us to the Brink.” In it, Leibovitz looks at the protesters’ motivations, at a style of politics he thinks has been imported from America, and deeper questions raised by the Israelis marching against their government. In their conversation, Silver and Leibovitz try to peer a little more deeply into the ongoing drama of modern Zionism and the meaning of modern Israel.

Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

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